“The animation is live: I work the material, then shoot the frame, I change the painting again, shoot another frame, and so on.” Joan Gratz, writer-director-producer of MONA LISA DESCENDING A STAIRCASE
“Using incomparable technical and artistic skill, MONA LISA DESCENDING THE STAIRCASE creates a explosive display of colors, textures and clues….” Olivier Cotte, Secrets of Oscar Winning Animation
What is the history behind, and the meaning behind, Oregon’s regional strength in creating independent film artists? Where does this longstanding strength fit within the overall intellectual and cultural identity of the Pacific Northwest?
The sixth annual Oregon Film History Conference is small in size, and designed to encourage interdisciplinary engagement, open ended conversation, and professional networking.
THIS YEAR THE 2020 OFHC MOVES ONLINE!
This event is not open to the public. Registration is limited to professionals with a non-profit affiliation (schools, museums, historical societies, etc.). Registration information CAN BE FOUND HERE.
Guest curator Ellen Thomas will lead a day of short talks and long discussions on the role played by experimentation and innovation in Oregon animation history. The day will conclude with an appearance by Oscar winning animator Joan Gratz.
The presentations are:
VANCE DEBAR “PINTO” COLVIG: SILENT ANIMATOR
Vance DeBar “Pinto” Colvig (1892-1967) earned his most lasting fame as a voice artist, but before that chapter of his career, he worked as a silent era animator and a creator of animated special effects. You know him as the voice of Goofy.
Ben Truwe is a regional historian focusing on Southern Oregon history and the Rogue River Indian Wars. He gives classes, lectures, and tours at Southern Oregon Historical Society.
DAVID FOSTER & EUGENE’S NEW NEW BAUHAUS
David Foster (1925-2003) taught across three departments at UO: film, architecture, and art education. His fearless embrace of the new inspired students to do the same. Foster’s films, and those of his students (CHIPS IN SPACE by Ken O’Connell, pictured above), will be highlighted, using clips.
Kenneth O’Connell co-founded the Pacific Northwest Computer Graphics Conference in 1982. Professor emeritus at UO, he led the Fine & Applied Art Department for twelve years.
THE ANIMATED ART ECOLOGY OF PORTLAND
Clockwise from upper left: Jim Blashfield’s SUSPICIOUS CIRCUMSTANCES (1984); Will Vinton & Bob Gardiner’s CLOSED MONDAYS (1974); Frank Hood, Teknifilm Lab; Bob Summers & Brooke Jacobson, Northwest Film Center.
The cultural ecology in Portland led to an incredibly prolific and creative period of art animation in the 70s and 80s. This talk will discuss some of technical resources, schools, showcases and early work which converged to make this such a fertile time.
Rose Bond creates large scale, site specific animated installations. She is Chair of the Animated Arts department and the Institute Director for Boundary Crossings at PNCA.
A QUESTION FOR ANNE
Q: Just what is meant by “incredibly prolific”?
A: In 1987, there was YOUR FACE, Bill Plympton; CERRIDWEN’S GIFT, Rose Bond; A CLAYMATION CHRISTMAS CELEBRATION, Will Vinton; BOY IN THE BUBBLE, Jim Blashfield; THE SIMPSONS, Matt Groening. That’s one Oscar nomination, one Northwest Film & Video Festival First Prize, one Primetime Emmy, five MTV Award nominations, one network television debut, in just one year.
JOAN GRATZ: THROUGH PAINTERLY EXPRESSIONS
Joan Gratz will talk about her work, show clips from some of her films, and take questions from the audience.
Joan Gratz first combined animation with painting while an architecture student at the University of Oregon. She shifted to painting in clay at Will Vinton Studios where she worked on a series of films which earned Oscar nominations. In 1987, she founded Gratz Film. In 1993, she won an Oscar.
Olivier Cotte: Do you envision the film in its entirety before you begin?
Joan Gratz: No….it’s the process of discovery which interests me.
Joan will show her most recent film, ONE MINUTE MEMOIR: THE FILMS OF 11 DIRECTORS, which is comprised of animated memoirs from Chris Hinton, Paul Driessen, Dennis Tupicoff, Joan Gratz, Theodore Ushev, Janet Perlman, Marv Newland, Bill Plympton, Jim Blashfield, Diane Obomsawin, and Chel White.
And that’s it!
With the help of 2020 conference director Alexander Benjamin Craghead, guest curator Ellen Thomas, featured artist Joan Gratz, and speakers Ben Truwe, Ken O’Connell, Rose Bond and Marilyn Zornado, Oregon Cartoon Institute presents the first all day conference devoted to Oregon animation history.
See you there!
The sixth annual Oregon Film History Conference has been postponed. We will reschedule once the threat of the Corona virus has subsided.
Q: What’s the conference like?
Registration is required. Seating is limited. Participants must supply a qualifying affiliation with a non-profit organization (school, museum, historical society, etc.) in order to register. This event is not open to the public
Contact Anne Richardson, at anne at oregonfilmhistoryconference dot org, if you have questions.
Oregon Cartoon Institute, a 501c3 non-profit organization, began presenting the annual one day Oregon Film History Conference in 2015. More information about OCI can be found here.
Founded in 2007 by Anne Richardson and Dennis Nyback, Oregon Cartoon Institute uses new media, archival film, research, networking, and cross disciplinary discussion to explore Oregon film, animation, and print cartooning history. It has no brick and mortar presence, and always works in partnership with organizations which do.